The cabinet card was a style photograph which was widely used for photographic portraiture after The carte de visite was
Dating cabinet card photography by the larger cabinet card in Dating cabinet card photography s. In the early s, both types of photographs were essentially the same in process and design. However, later into its popularity, other types of papers began to Dating cabinet card photography the albumen process.
Despite the similarity, the cabinet card format was initially used for landscape views before it was adopted for portraiture. Some cabinet card images from the s have the appearance of a black-and-white photograph in contrast to the distinctive sepia toning notable in the albumen print process.
These photographs have a neutral image tone and were most likely produced on a matte collodiongelatin gelatin bromide paper.
Sometimes images from this period can be identified by a greenish cast. Gelatin papers were introduced in the s and started gaining acceptance in the s and s as the gelatin bromide papers became popular. Matte collodion was used in the same period.
A true black-and-white image on a cabinet card is likely to have been produced in the s or after The last cabinet cards were Dating cabinet card photography in the s, even as late as Owing to the larger image size,
Dating cabinet card photography cabinet card steadily increased in popularity during the second half of the s and into the s, replacing the carte de visite as the most popular form of portraiture.
The cabinet card was large enough to be easily viewed from across the room when typically displayed on a cabinet, which is probably why they became known as such in the vernacular.
However, when the renowned Civil War photographer Mathew Brady
Dating cabinet card photography started offering them to his clientele towards the end ofhe used the trademark "Imperial Carte-de-Visite. Early in its introduction, the cabinet card ushered in the temporary disuse of the photographic album which had come into existence commercially with the carte de visite. Photographers began employing artists to retouch photographs by altering the negative before making the print to hide
Dating cabinet card photography defects revealed by the Dating cabinet card photography format.
Small stands and photograph frames for the table top replaced the photograph album. Photo album manufacturers responded by producing albums with pages primarily for cabinet cards with a
Dating cabinet card photography pages in the back reserved for the old family carte de visite prints.
For nearly three decades after the s, the commercial portraiture Dating cabinet card photography was dominated by the carte de visite and cabinet card formats. In the decade beforethe number and variety of card photograph styles expanded in response to declining sales. Manufacturers of standardized card stock and print materials hoped to sales and retain public interest in card photographs. However, the Dating cabinet card photography increasingly demanded outdoor and candid photographs with enlarged prints which they could frame or
Dating cabinet card photography unmounted snapshots they collect in scrapbooks.
Owing in part to the immense popularity of the affordable Kodak Box Brownie camera, first introduced inthe public Dating cabinet card photography began taking their own Dating cabinet card photography, and thus the popularity of the cabinet card declined.
When attempting to determine the date of creation for a cabinet card, clues can be gathered by the details on the card. The type of card stock or whether it had right-angled or rounded corners can often help to determine the date of the photograph to as close as five years.
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